Archive for the 'art' Category

April 28th 2013
Cowboy crooner Johnny Bond: “Oklahoma Hills”

Posted under American history & art

8 Comments »

April 24th 2013
Dear Elle Magazine,

Posted under American history & art & Gender & the body & women's history

In an article praising Kim Gordon’s feminist credentials and history of helping other feminist musicians, don’t you think that you could have run a photo of her wearing something on the bottom?  The photo of her is very flattering, especially considering that you report that she is now 59 years old.  But, honestly:  how many high-status men in their 50s or 60s are featured wearing only panties in glossy magazines like yours?

Just askin’,

Historiann Continue Reading »

15 Comments »

March 13th 2013
Historiann at Feminism & Co. panel about feminism and blogging, March 28

Posted under American history & art & Gender & Intersectionality & jobs & women's history

How cool is this?  I’ve been invited to talk about feminist blogging at the March 28, 2013 Feminism & Co. event at the Museum of Contemporary Art Denver.

I’ll be joined by Ru Johnson of Westword, Heather Janssen of Get Born, Ellie Kevorkian of Violet Against Women, and Camille Bright-Smith of BlogInSong on March 28 at 6:30 p.m. at the MCA Denver, 1485 Delgany Street.  More details about the 4-week series of events are here. Continue Reading »

15 Comments »

March 11th 2013
CPP = William Howard Taft?

Posted under American history & art & bad language & class & students & the body

Comrade PhysioProffe‘s post last week on Thomas Friedman’s puffery of MOOCs calls out MOOCs as a “class warfare scam,” and makes an interesting comparison of mass-produced MOOC education to mass-produced poor quality chain restaurant food:

The children of the wealthy will never, ever be subject to MOOC-based education, and the elite institutions they attend–who are perfectly happy to publish some courses on-line for free viewing by the public–will never, ever allow their students to take MOOCs for course credit. (Or if they do, they will be *extremely* restricted in the total number of MOOC credits they allow to count for major and graduation.) These kids are being prepared to be leaders and bosses of the poor mooks who are gonna be subject to MOOCs, so they need real education.

Just like the Tom Friedmans of the world don’t eat cheap greasy fattening nutrient-poor corporate swill at Denny’s, they don’t allow their kids to be subject to shitteasse greasy educational corporate swill like MOOCs.

Compare this to a speech by the resurrected William Howard Taft in Taft 2012, by Jason Heller, pp. 186-87: Continue Reading »

10 Comments »

February 27th 2013
Mid-week roundup: it’s never to soon to start the Great Forgetting!

Posted under American history & art & Gender & GLBTQ & jobs & technoskepticism & women's history

Up on my hobbyhorse, again!

Howdy, friends:  quick post today as I’m up to my commuter horse Revenue’s a$$ in meetings today and the rest of this week.  As we shall see, it’s never too soon to start the Great Forgetting!  (That is, the tendency of men and women both to choose to ignore, overlook, or hide the importance of women throughout history.)  Here goes:

  • NPR featured a story last night on two women’s efforts to combat the Great Forgetting of women’s role in the Seattle punk and grunge music scene in the early 1990s.  “[Gretta] Harley and [Sarah] Rudinoff also wanted to address the disconnect between the history they had lived and the histories they saw written. In 2011, the 20th anniversary of Nirvana’s Nevermind sparked numerous tributes to the grunge era that didn’t capture the Seattle music community they remembered. ‘We started looking at the books that were written by different authors, and the women were absent, almost completely absent,’ Harley says. ‘And we thought, ‘Wow, this is a story that really hasn’t happened yet.” ”  So, after recording more than 30 oral histories of women who were a part of the scene, they wrote a play called “These Streets” in order to document women’s presence in the grunge movement.
  • Speaking of oral history:  Temple graduate student Dan Royles describes his Kickstarter campaign to raise $6,000 to transcribe the oral histories he has done on AIDS activism in the African American community in the 1980s and 1990s.  As of this morning, he’s at $5,374–let’s raise a little coin for him in the next 36 hours, shall we?  Continue Reading »

11 Comments »

February 25th 2013
Oscar d00dly b00bfest best for lying down, avoiding

Posted under American history & art & bad language & Gender & Intersectionality & jobs & race & the body & unhappy endings & wankers & weirdness & women's history

We had a much-needed little Front Range snowstorm yesterday.  It was so peaceful and quiet–Sundays are usually pretty quiet days in Potterville, but with the snow swallowing all outdoor sounds, it was even quieter.  I had a beef burgundy* in the oven, and we made a fire and watched a Harry Potter movie instead of the Academy Awards.

It turns out that it was a really excellent decision to shut out the rest of the world last night.  I keep thinking about the old Monty Python skit about Australian wines:  “this isn’t a wine for drinking!  It’s a wine for lying down and avoiding.”  (Don’t miss Linda Holmes’s review at NPR.)  In the end, I think Amy Davidson’s analysis was the best I’ve read today:

Watching the Oscars last night meant sitting through a series of crudely sexist antics led by a scrubby, self-satisfied Seth MacFarlane. That would be tedious enough. But the evening’s misogyny involved a specific hostility to women in the workplace, which raises broader questions than whether the Academy can possibly get Tina Fey and Amy Poehler to host next year. It was unattractive and sour, and started with a number called “We Saw Your Boobs.”

“We Saw Your Boobs” was as a song-and-dance routine in which MacFarlane and some grinning guys named actresses in the audience and the movies in which their breasts were visible. That’s about it. Continue Reading »

13 Comments »

December 7th 2012
He capsized the boat and we lost five men, and we did not catch the whale, brave boys.

Posted under American history & art & book reviews

This time you’re going down, Moby Dick.

I hope as many readers out there as have time for it will join in Comradde PhysioProffe‘s interdisciplinary excursion into Melvilleana over at his blog. If you’re interested, be sure to click on over and let him know. Continue Reading »

3 Comments »

November 30th 2012
Thoughts on Little Women

Posted under American history & art & childhood & Gender & women's history

Little Women, 1933

Barbara Sicherman offers some interesting thoughts about Little Women on the occasion of Louisa May Alcott’s 180th birthday (yesterday) and its influence on generations of women around the world (h/t to reader LKK for this.)  She says that the book’s durability is due to its surprisingly modern sensibilities, perhaps most memorably in the person of Jo March, Alcott’s alter-ego:

Perhaps the most important reason for the novel’s survival is a heroine with unusual appeal. Some readers have identified with the other March sisters, but it is Jo March, the rambunctious tomboy and bookworm who is unladylike and careless of her appearance, who carries the story. The vast majority of readers, past and present, have identified with her. Jo’s presumed flaws are precisely the characteristics that speak to preadolescent and adolescent readers, themselves struggling with issues of growing up.

Alcott, who modeled Jo in her own image, created a character that continues to appeal. As J.K. Rowling, author of the Harry Potter books and herself a “Jo,” observed: “It is hard to overstate what she meant to a small, plain girl called Jo, who had a bad temper and a burning ambition to be a writer.”

For readers on the threshold of adulthood, the book’s embrace of female ambition has been a significant counterweight to more habitual gender prescriptions. For years there were few alternative models, although in my generation, the Nancy Drew books helped. Even today, some girls still respond to the portrait of Jo, the enthralled and enthralling writer.

It’s a good time of the year to consider Little Women, as the novel opens with Marmee and the March girls cooking Christmas breakfast.  I think I read LW when I was eleven, in the sixth grade.  I remember being so moved by the idea of Jo reading a pile of books while eating “russetts” in her “garrett” as to climb a tree with an apple in my teeth and the novel under my arm in order to re-enact Jo’s escape as best I could.  Continue Reading »

44 Comments »

July 26th 2012
The dog blog is dead. Long live the mad blog!

Posted under American history & art & happy endings & jobs & women's history

Self-Portrait of a Madwoman

Last week, we lost a powerful voice in the queer academic and dog-friendly blogosphere:  Roxie Smith Lindemann of Roxie’s World announced her final departure from the blogosphere, only a little less than three years after her death.  However, her typist Moose has decided bravely to carry on blogging under a human pseudonym at a new blog called The Madwoman with a Laptop.

The Madwoman at MWAL, otherwise known as noted Willa Cather scholar Marilee Lindeman, describes herself on the new blog as “English prof, blogger, queer, feminist, non-geek fascinated by social media, making life up as it goes along. Play on. Tenure means never having to say you’re sorry.”

Her second post at the new blog is a thoughtful reflection on mid-career funks, the (corrupt) business of higher education, and the cardboard management-speak  slogan of “rebranding.” She writes:  Continue Reading »

4 Comments »

July 21st 2012
Your free hit of juvenalia and alternative nineteenth-century U.S. history and letters

Posted under American history & art & fluff

Dude, why can’t you do both?

Do you subscribe to The Writers’ Block podcast?  This is why it’s worthwhile:

Most of the book I wrote while watching music videos on MTV.  Yes, that’s how old I am.  Back then MTV still played videos.  Now, now doubt, you picture me wearing high-button shoes and rolling a hoop down a dirt road in, I don’t know, ancient Thebes?

Nobody ever had so much fun writing a book.  I’d be couch surfing with Alexander Graham Bell and Dolley Madison and watching Echo and the Bunnymen videos.  Abraham Lincoln would order us a pizza, and Bell would offer everyone hits of MDA.  That’s how far back this happened.  We didn’t call ecstasy “E.”  We didn’t even call it “X.”  Louisa May Alcott would be rolling us a fattie.  I’d shake my head no.  I’d whine, “Guys, I can’t get high!  I need to write my novel.”  And Harriet Beecher Stowe would say, “Dude, why can’t you do both?”

Continue Reading »

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