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	<title>Comments on: Trilogies, trade presses, and books in print:  part III of my interview with Mary Beth Norton</title>
	<atom:link href="http://www.historiann.com/2012/09/18/trilogies-trade-presses-and-books-in-print-part-iii-of-my-interview-with-mary-beth-norton/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.historiann.com/2012/09/18/trilogies-trade-presses-and-books-in-print-part-iii-of-my-interview-with-mary-beth-norton/</link>
	<description>History and sexual politics, 1492 to the present</description>
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		<title>By: Two Thoughts about Publishing from Mary Beth Norton &#171; Jacksonian America: Society, Personality, and Politics</title>
		<link>http://www.historiann.com/2012/09/18/trilogies-trade-presses-and-books-in-print-part-iii-of-my-interview-with-mary-beth-norton/comment-page-1/#comment-1096628</link>
		<dc:creator>Two Thoughts about Publishing from Mary Beth Norton &#171; Jacksonian America: Society, Personality, and Politics</dc:creator>
		<pubDate>Mon, 24 Sep 2012 11:31:26 +0000</pubDate>
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		<description>[...] things jumped out at me from the final interview installment. The first was Norton&#8217;s advice not to commit oneself to writing a trilogy, as she did with [...]</description>
		<content:encoded><![CDATA[<p>[...] things jumped out at me from the final interview installment. The first was Norton&#8217;s advice not to commit oneself to writing a trilogy, as she did with [...]</p>
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		<title>By: Comradde PhysioProffe</title>
		<link>http://www.historiann.com/2012/09/18/trilogies-trade-presses-and-books-in-print-part-iii-of-my-interview-with-mary-beth-norton/comment-page-1/#comment-1094951</link>
		<dc:creator>Comradde PhysioProffe</dc:creator>
		<pubDate>Sat, 22 Sep 2012 01:37:28 +0000</pubDate>
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		<description>&lt;i&gt;Is there anything you would do differently in Liberty’s Daughters, or in any of your more recent books?&lt;/i&gt;

Love this question!!</description>
		<content:encoded><![CDATA[<p><i>Is there anything you would do differently in Liberty’s Daughters, or in any of your more recent books?</i></p>
<p>Love this question!!</p>
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		<title>By: Historiann</title>
		<link>http://www.historiann.com/2012/09/18/trilogies-trade-presses-and-books-in-print-part-iii-of-my-interview-with-mary-beth-norton/comment-page-1/#comment-1094395</link>
		<dc:creator>Historiann</dc:creator>
		<pubDate>Fri, 21 Sep 2012 03:40:21 +0000</pubDate>
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		<description>Thanks, Undine!</description>
		<content:encoded><![CDATA[<p>Thanks, Undine!</p>
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		<title>By: Undine</title>
		<link>http://www.historiann.com/2012/09/18/trilogies-trade-presses-and-books-in-print-part-iii-of-my-interview-with-mary-beth-norton/comment-page-1/#comment-1094380</link>
		<dc:creator>Undine</dc:creator>
		<pubDate>Fri, 21 Sep 2012 02:53:44 +0000</pubDate>
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		<description>I have nothing to add, Historiann, but wanted to thank you and Mary Beth Norton for such an informative series.</description>
		<content:encoded><![CDATA[<p>I have nothing to add, Historiann, but wanted to thank you and Mary Beth Norton for such an informative series.</p>
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		<title>By: Mary Beth Norton</title>
		<link>http://www.historiann.com/2012/09/18/trilogies-trade-presses-and-books-in-print-part-iii-of-my-interview-with-mary-beth-norton/comment-page-1/#comment-1092385</link>
		<dc:creator>Mary Beth Norton</dc:creator>
		<pubDate>Tue, 18 Sep 2012 17:34:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.historiann.com/?p=19560#comment-1092385</guid>
		<description>Ah yes, the textbook, which Historiann did not ask me about. Writing a textbook is tough and requires different skills from writing your own monographs. You have to try to appeal to both students and their instructors (who of course choose the books to use) and to cover material you might not find very interesting but which needs to be included in a comprehensive narrative. Just writing out your lectures doesn&#039;t suffice. For that reason, textbook teams often start out with great expectations but fall apart before they produce anything. It takes a great deal of perseverance on the part of a team and the publisher alike to achieve success in the crowded textbook field, and lots of attention to details that scholars don&#039;t usually think about. (e.g., illustrations; features; study questions; even length of sentences.)

I found working with our team very stimulating. Historians so rarely collaborate on a collective enterprise that it was fun (and intellectually challenging) to hash out a common approach in our meetings. One of the things that made the original People &amp; a Nation team work so well was that most of us knew at least one other person on the team before we started to sketch our a plan and draft our chapters (only one was unknown to the rest of us, and he left the team first), and we knew we shared a common approach to US history. But even so in the beginning I had to push my colleagues to get them to include what I regarded as adequate coverage of women &amp; gender.

As you indicate, there is a rhythm to textbooks. I learned to live with the revision cycle and to plan ahead for the months &amp; years I would have to devote to revisions. My monographs would have appeared more quickly had I not had to put that research and writing aside regularly for the textbook, because when revision time came I had no time for anything else. On the other hand, I have reached more students/readers through the textbook than through anything else I have written. It is humbling to think that tens of thousands of students have read my version of Early American history. I have always enjoyed hearing from students who have used the book in college or in HS AP courses.

I have now decided not to write chapters any longer--after 9 editions, and thus 18 times through my prose, I hit a wall. I am still affiliated with the book for the forthcoming 10th edition in the capacity of &#039;consulting editor,&#039; which basically means that I am helping out with a variety of different tasks.</description>
		<content:encoded><![CDATA[<p>Ah yes, the textbook, which Historiann did not ask me about. Writing a textbook is tough and requires different skills from writing your own monographs. You have to try to appeal to both students and their instructors (who of course choose the books to use) and to cover material you might not find very interesting but which needs to be included in a comprehensive narrative. Just writing out your lectures doesn&#8217;t suffice. For that reason, textbook teams often start out with great expectations but fall apart before they produce anything. It takes a great deal of perseverance on the part of a team and the publisher alike to achieve success in the crowded textbook field, and lots of attention to details that scholars don&#8217;t usually think about. (e.g., illustrations; features; study questions; even length of sentences.)</p>
<p>I found working with our team very stimulating. Historians so rarely collaborate on a collective enterprise that it was fun (and intellectually challenging) to hash out a common approach in our meetings. One of the things that made the original People &amp; a Nation team work so well was that most of us knew at least one other person on the team before we started to sketch our a plan and draft our chapters (only one was unknown to the rest of us, and he left the team first), and we knew we shared a common approach to US history. But even so in the beginning I had to push my colleagues to get them to include what I regarded as adequate coverage of women &amp; gender.</p>
<p>As you indicate, there is a rhythm to textbooks. I learned to live with the revision cycle and to plan ahead for the months &amp; years I would have to devote to revisions. My monographs would have appeared more quickly had I not had to put that research and writing aside regularly for the textbook, because when revision time came I had no time for anything else. On the other hand, I have reached more students/readers through the textbook than through anything else I have written. It is humbling to think that tens of thousands of students have read my version of Early American history. I have always enjoyed hearing from students who have used the book in college or in HS AP courses.</p>
<p>I have now decided not to write chapters any longer&#8211;after 9 editions, and thus 18 times through my prose, I hit a wall. I am still affiliated with the book for the forthcoming 10th edition in the capacity of &#8216;consulting editor,&#8217; which basically means that I am helping out with a variety of different tasks.</p>
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		<title>By: Indyanna</title>
		<link>http://www.historiann.com/2012/09/18/trilogies-trade-presses-and-books-in-print-part-iii-of-my-interview-with-mary-beth-norton/comment-page-1/#comment-1092367</link>
		<dc:creator>Indyanna</dc:creator>
		<pubDate>Tue, 18 Sep 2012 16:57:21 +0000</pubDate>
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		<description>The plusses and minuses of being part of a team writing a text-book.  I&#039;ve heard that every third year belongs to the company (and in the age of permanent revision, who knows, maybe every third semester?) but that it can get you a great place from which to write monographs.  I personally don&#039;t think I&#039;d have the temperament to do that kind of work, although I have a somewhat higher opinion of the utility of texts (for certain kinds of courses and situations) than I think you do, Historiann.  But just generally, the utility of that type of work in an overall program of professional practice.</description>
		<content:encoded><![CDATA[<p>The plusses and minuses of being part of a team writing a text-book.  I&#8217;ve heard that every third year belongs to the company (and in the age of permanent revision, who knows, maybe every third semester?) but that it can get you a great place from which to write monographs.  I personally don&#8217;t think I&#8217;d have the temperament to do that kind of work, although I have a somewhat higher opinion of the utility of texts (for certain kinds of courses and situations) than I think you do, Historiann.  But just generally, the utility of that type of work in an overall program of professional practice.</p>
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