"Pink right down to her underwear!"
A colleague of mine sent me a link to Rebecca Traister’s review yesterday in the New York Times of Stephanie Coontz’s A Strange Stirring: “The Feminine Mystique” and American women at the Dawn of the 1960s (New York: Basic Books, 2010). It–like the book it reviews–is a refreshing review of Betty Friedan’s signal achievement and its importance in the intellectual and political history of American feminism. In this respect, it’s quite a departure for Coontz, whom most of us know as a prominent American historian of marriage and the family.
After decades of distancing themselves from Friedan, whose activism after the publication of The Feminine Mystique was frequently controversial, it seems like feminist historians of all ages are now drawn to reconsider her work. Her work (like any historical document or artifact) was a prisoner of its time, and since it was based on a survey of Smith College graduates, it was primarily an examination of la querelle des femmes from a white, middle-class perspective. Perhaps 50 years is now a comfortable distance from which to read all of the uncomfortable questions Friedan’s book asked and raised about itself?
But as Traister points out, so many of these conversations throughout the twentieth century about women’s roles and how to combine family life with a working life have a Groundhog Day-like quality. “Reading Coontz’s account of postsuffrage backlash — ‘Three decades of relentless attacks on feminism as antimale and antifamily had taken their toll’ — it’s hard to remember that she is writing about the 1950s. When she quotes Dorothy Thompson, who proclaimed in 1939 that the fantasy of women’s being able to meld career and family was ‘an illusion,’ we might as well be reading a modern antifeminist screed about the impossibility of ‘having it all.’”
I have to put in a word for Daniel Horowitz’s terrific biography Betty Friedan and the Making of “The Feminine Mystique”: The American Left, the Cold War, and Feminism (Amherst: University of Massachusetts Press, 2000), which may have started the whole Friedan revival. Continue Reading »